ADAM COCKERHAM

Capona, Sferraina, and Ciaccona Giovanni Girolamo Kapsberger (1580-1651) Strozzi @ 400 October 26, 2019, 8 PM House of the Redeemer, NYC TENET Vocal Artists: Adam Cockerham, theorbo Jeffrey Grossman, harpsichord Hank Heijink, archlute Shirley Hunt, viola da gamba Daniel Rigazzi, stage director Jolle Greenleaf, artistic director

Lute player Adam Cockerham plays "Tarleton's Jigg" and "Tarleton's Resurrection" by John Dowland live in the WQXR studio. He joined us to play Shakespeare-era pieces to help us kick off our Shakespeare Weekend, celebrating The Bard's birthday and the music his works have inspired. Hear more works like this April 22-23, 2017, on WQXR.org. Video: Kim Nowacki Audio Engineer: Irene Trudel Producer: Merrin Lazyan © WQXR 2017

"Sonata 6; Alemanda" by Giovanni Zamboni Romano performed by classical guitarist and lutenist Adam Cockerham. To find out more, visit Adam's website www.adamcockerham.com

Pascale Beaudin and Adam Cockerham perform three Gondolier songs as arranged by Johann Hasse and published in London in the 1750s. These beautiful melodies and cheeky texts so characterize the Italian penchant for lyricism and the Venetian sophistication even from the folk repertory of the boatman. Imagine a music room in London, the walls decorated with recent works of Canaletto (he is in residence in London), the room with some Roman busts on pedestals, the harpsichord an English instrument played by a young man back from his Grand Tour and accompanying his entitled yet shy Jane Austen like daughter song to be wife in these recently published works. Or imagine yourself in a gondola drifting along the canals of Venice while your boat man in a straw hat with a blue ribbon gently guides the boat past ancient palaces while looking out straight ahead singing these "canzoni" From a performance by the Four Nations Ensemble for the presenting organization ASPECT Foundation for Music and Art. New York City, May 30, 2019.

Augusta McKay Lodge, violinist www.augustamckaylodge.com Robert Warner, harpsichord Keiran Campbell, cello Adam Cockerham, theorbo

Lute player Adam Cockerham plays "Pavin" by Daniel Bacheler live in the WQXR studio. He joined us to play Shakespeare-era pieces to help us kick off our Shakespeare Weekend, celebrating The Bard's birthday and the music his works have inspired. Hear more works like this April 22-23, 2017, on WQXR.org. Video: Kim Nowacki Audio Engineer: Irene Trudel Producer: Merrin Lazyan © WQXR 2017

Adam Cockerham, theorbo Jeffrey Grossman, harpsichord Matt Zucker, cello Recorded: April 29, 2019 at Saint Ignatius of Antioch Church, NYC Executive Producers: Sarah Jane Kenner & Dongsok Shin Session Producers: Dongsok Shin & Leah Gale Nelson Audio & Video recording and editing: Dongsok Shin

Lute player Adam Cockerham plays Robert Johnson's "Allemande" and "Carman's Whistle" live in the WQXR studio. He joined us to play Shakespeare-era pieces to help us kick off our Shakespeare Weekend, celebrating The Bard's birthday and the music his works have inspired. Hear more works like this April 22-23, 2017, on WQXR.org. Video: Kim Nowacki Audio Engineer: Irene Trudel Producer: Merrin Lazyan

Voyage Sonique Jeffrey Girton and Augusta McKay Lodge, violins Robert Warner, harpsichord Keiran Campbell, cello Adam Cockerham, theorbo

In Darkness Let Me Dwell by John Dowland Performed by Jarring Sounds Danielle Reutter-Harrah, mezzo-soprano Adam Cockerham, lute www.jarringsounds.com jarringsounds@gmail.com

I - Susan Ann and Immortality II - As a Fowl 1:15 III - Conversion 3:12 IV - The Man in the Crow's Nest 5:02 Spotify: https://open.spotify.com/artist/3CwTBTKoXp0ALHqlkXe2Nq?  https://www.instagram.com/kyle.hovatter/ http://www.kylehovatter.com Premiere performance at the Center for New Music, San Francisco September 5, 2014 by Jarring Sounds (Danielle Reutter-Harrah and Adam Cockerham) http://www.jarringsounds.com ---Susan Ann and Immortality--- Her head hung down Gazed at earth, finally keen, As the rabbit at the stoat, Till the earth was sky, Sky that was green, And brown clouds passed Like chestnut leaves along the ground. ---As a Fowl--- As a fowl in the tall grass lies Beneath the terror of the hawk, The tressed white light crept Whispering with hand on mouth mysterious Hunting the leaping shadows in straight streets By the white house of Flemish towns ---Conversion--- LIGHTHEARTED I walked into the valley wood In the time of hyacinths, Till beauty like a scented cloth Cast over, stifled me. I was bound Motionless and faint of breath By loveliness that is her own eunuch. Now pass I the final river Ignominiously, in a sack, without a sound, As any peeping Turk to the Bosphorous. ---The Man in the Crow's Nest--- Strange to me the sounds the wind that blows By the masthead in the lonely night. Maybe 'tis the sea whistling--feigning joy To hide its fright Like a village boy That, shivering, past the churchyard goes.

Early music authority, harpsichordist, and conductor William Christie and baroque music specialist Paul Agnew worked with Juilliard Historical Performance students in a live master class on November 8, 2016. Learn more about future live-streamed master classes at http://live.juilliard.edu. REBEL Les Caractères de la Danse Augusta McKay Lodge, violin Jeffrey Girton, violin Kieran Campbell, cello Peter Ferretti, bass Adam Cockerham, theorbo Robert Warner, harpsichord Visit The Juilliard Store: http://www.thejuilliardstore.com Belong to something brilliant: http://www.juilliard.edu/we Like us on Facebook: https://www.facebook.com/TheJuilliardSchool Follow us on Twitter: https://twitter.com/JuilliardSchool Follow us on Instagram: http://instagram.com/juilliardschool